In late September of last year, 75 people from all over the country convened in Detroit for Initiatives in Art and Culture’s 25th annual Arts and Crafts Conference. Organized by IAC president and founder Lisa Koenigsberg, a leading scholar on the arts and crafts movement, the five-day conference took attendees to more than 20 historically relevant sites in and around Detroit, and featured dozens of lectures moderated by experts in the field.
Mark J. Heppner, president and CEO, Ford House; Benjamin Grobe, AIA, architect, SmithGroup; Alivia Stalnaker, AIA, design architect, SmithGroup Detroit office; Lisa Koenigsberg, president, IAC; Rodrigo Manriquez, head, MidWest Cultural Studio, SmithGroup; Geoff Bird, attendee, in the Lake Shore Room having a sit down lunch and program at the Ford House.
“We really embrace our subject matter and explore it deeply,” says Koenigsberg. “It’s not your standard experience. It’s thoughtful and embracing. It’s a very full program with site visits, access to private collections, talks and panels—you are really immersed in the subject matter. It’s not just a field trip—the people who attend and those who lead the tours are incredibly well-informed—it’s almost like a faculty. We bring together the best of the best.”
Each year, New York City-based IAC holds its Arts and Crafts Conference in a different American city to explore the region’s significance in the Arts and Crafts movement and its unique expression of the aesthetic and philosophy. More than 50 percent of this year’s participants were returnees.
Attendees during a private tour of the Guardian Building led by James W. Tottis, museum consultant.
After attending the 2022 conference in Cleveland, Shane Qualls of Cincinnati, decided to sign up for the 2023 event in Detroit.
“The context and quality of the Cleveland IAC conference, in addition to the historical depth and breadth, went far beyond my initial curiosity and expectation,” says Qualls. “The scope of the agenda and the caliber of people involved is impressive. And having now attended two back-to-back annual conferences, I am convinced that this is an invaluable opportunity for continued learning about early 20th-century American history, art, culture and architecture. Most special, is the people with whom I’ve become acquainted thus far—including attendees from all across the country, as well as a few keynote speakers, museum curators and the IAC executive board. Not only was this year’s conference a positive experience, it was a treasure-trove of historical perspective and people who are truly passionate about culture, design, art and history of an important bygone era. I’m very much looking forward to signing up next year and inviting friends.”
It is exactly this kind of experience that Koenigsberg and her team work so diligently to provide and doing so is especially gratifying in light of the conference’s milestone year.
Private Tour of Detroit’s Fox Theater.
“It was such an emotional experience to come to the end of those five days having shared so much and having this experience mark the conference’s 25th year,” says Koenigsberg. “To be able to span the breadth of the movement, to think broadly about it, and then to share that with people who are so deeply interested and committed—it was just sublime and a great prelude to what I hope for in the next 25 years.”
Main room of Saarinen House, the jewel of Cranbrook’s world-renown National Historic Landmark campus. Saarinen House is a unique example of a modern, art deco-style domestic space realized through arts and crafts methodologies. Photography by James Haefner, Courtesy of Cranbrook Center for Collections and Research.
While the location for IAC’s fall 2024 Arts and Crafts Conference is not yet confirmed, Koenigsberg did disclose that they are considering Pennsylvania’s Brandywine Valley as a potential location.
For more information about this event and other IAC programming, including the American Art Conference taking place this May in New York City, visit www.artinitiatives.com.
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